Drawing Diary is a category
when I show how many days and hours took drawing. I choose for this usually
photorealistic artworks, like this one today. As usual in ‘DD’ category the
final drawing is showed at the end of the article, because I want You to feel
uncertainty.
So… ‘Breakfast at Tiffany's’. The famous ‘rain scene’ is perfect for realistic
pencil darwaning becase water usually looks perfect in photorealism (check out
for example <Eric’s Zener artworks>).
18.VII.’13 Warsaw, Poland
Today I have so many household
duties: laundry, doing the washing up so… it’s a perfect day to start a new commitment
requiring artwork. Since I moved to studies I don’t have my own desk so I work
on the kitchen table. My workplace looks as below:
The products and other things I
used:
- Notebook with digital photo of the ‘rain scene’
I use a
computer because I need to write an articles during drawing but you don’t have
to! It’s so important to be off-line when You work on new sketch. It’s because
Facebook and other sites which distracting. Try to print a photo of your choice
and work on it. It’s so much better, I swear!
- Pencils
As usual I’m
using my KOH-I-NOOR set (2H – 8B; I have no idea what scale is using in other
parts of the world) and KOH-I-NOOR Progresso (non wood pencils). Also: two
STABILO pencils (HB) which are perfect for sketching, because of the furrowing
in the handle (not sure if it’s a good translation).
- Sharpener
For this
drawing I need to use a big one, beacause of the size of the STABILO pencils.
- Erasers
‘Bread
eraser’ (by KOH-I-NOOR), eraser in wood (which looks like a pencil) by FABER
CASTELL and regular, white eraser by FACTIS
- Technical paper
This one
doesn’t crumple like regular paper. It’s
so important for photorealistic artworks.
- Cotton pads
For smudging.
- Big watercolor brush
Just for
cleaning the paper from the eraser crumbs.
Article about all my stuff
(brands and my opinions) coming soon. Polish version with lots of pictures <here>.
At the beginning I have a mouthful:
all of the line on the sketch I made by pressing my pencil more than it’s
necessary. It’s because I want to show it better on the photos. My tip for You
is to don’t press too much. Just be delicate for the paper :)
I started up by very quick
spontaneous sketch for planning everything on the sheet. I wanted to show not
only the cute couple but also a beautiful car in the background.
Hope you can see something…
Then I started to watch
carefully the heads of the cast. They have a untypical pose but nonetheless it
make it more easier to sketch! It’s just because it’s easier to copy something
which is different that your mind remembered. For example, if the face was
showed ‘en face’ on the photo, it is so possible that you will copy it in the
way you used to draw any other faces. On the photo I choose faces (especially
noses) have untypical shapes (because of the point of view), so I tried to draw
that shapes correctly. My references are heads and hairlines. I saw that heads
look close to the circles which contact themselves in a concrete point. Hairlines looks like diameters of
this circles. I copied this observations to the paper. I checked
also an angles of the ‘diameters’.
In this step it’s so important
to care only about shapes (not details). Try to draw an invisible lines on the
photo in your mind and use it as a tips. This is also a time to check the
proportions. I found that for example Holly’s ear is in the middle of this
head/circle, so I draw it on the sheet.
That first lines were a kind
of foundation to next lines. Basing on these lines I sketched another. The is
no rule what lines you have to copy first. It depends on you comfort. I usually
look for a shapes, lengths or angles which are easy to note. Here for example I can find on the photo a
very nice shape which is an angle on Paul’s hairline, head and back. It’s a
right angle so it’s so easy to copy it.
Here is this angle. You can
also check it on the <original photo>.
Now it’s time to details. Few
quick lines helped me to create the faces. Holly’s ear was perfect to designate
the jaw line (see how it looks like on the photo). Now Holly’s head looks like
a… Pokeball :D.
Then I started to put more
details to the sketch…
There is another example of copying the
similarities. I put my pencil to the notebook screen and check how long is the
Paul’s hairline. Then I put my pencil (with measured length) on the Paul’s back
and I saw that they’re the same! Perfect :)
I sketched it on my sheet, as below.
As I once said on my <polish
blog> , drawing a small head is quiet difficult (as ‘small’ I mean ‘smaller than
in the portrait’). For me personally it still not so easy. Usually I try so
many times to copy the faces before it look ok. But… on this photo characters
don’t look like themselves (because we cannot see the wholes faces) so we don’t
have to care about capture similarities.
It takes some time to practice
the perfect sketching but after few year you will be able to draw as good
as you want. Just read my blog J
Now it’s time to clean the
sketch. I had many ‘dirty’ lines on my sheet so I choosed the correct ones and
erased the others.
There you can compare ‘clean’ coat with the ‘dirty’ car wheel.
This time is good to stop
working on the artwork and let yourself a time to get a ‘fresh point of view’. Bus
– as I’m a very busy girl – I have to use all of my free time for drawing. So
after cleaning my sketch I directly started to work on the background.
I started from the left part
of the sheet because I’m right-handed and I don’t want to ruin my artwork by
uncontrolled smudging. First I took my Progresso
pencils (they’re perfect for smudged backgrounds) and shaded the background
areas.
The with a cotton pad I
smudged the surface.
I repeated these steps
(I mean: shading/smudging) many many
times. Each next layer was better. Sometimes I used the bread eraser to
highlight the lightest areas and then I continued the process of smudging and
shading.
For flicking crumbs I used my pretty blue brush. I don’t recommend to use a fingers for
it! Your drawing can look so ugly after (guess why I know it? :) ).
As it’s a ‘Drawing Diary’ (not
common tutorial) I’d like to show You what I did by mistake. Here is the photo
of some dirt which appeared on my artwork after using the bread eraser. It’s because
I forgot to keep it on the separate container and it took some dirt from the
pencils (the bread eraser is so sticky). So learn from my mistakes
and always keep your eraser clean!
During my work on the background
I realized that the car wheel is to small so I corrected it.
19.VII.’13 Warsaw-Cracow train, Poland
That day I didn’t have so much
time to draw but I was writing and editing the article about this draw and
checking out the tips from the professionals on the Internet.
20.VII.’13 Brzeszcze, Poland (my
hometawn)
That day I was visiting my
parents in my home town. I took my artwork with me but I didn’t find time to work
on it. The next day I had my friend bachelorette party in Cracow so... you know :)
22.VII.’13 Warsaw, Poland
Warsaw again. Finally
found time to relax and draw.
That day I started to ‘play’
with the haistyles of the characters. I wanted it to look realistic (which
means ‘not consistent’) so on the back of Paul’s head I drew shiny, wet hair
and little disheveled
close to the face. I used my 7B pencil for it because it’s enough dark. The darkest one I have (which is 8B) I let for
the finishing touches. The lightest areas on the hair (where lights reflects on
wet hair) I cleaned with the wood eraser.
Check out the proces:
Time to face. As I found,
this is the most problematic area to draw. It’s because the skin is usually so
light and pure. My tip for
the skin shading is using layers. Many layers. Start up with the
darkest places on the face (which are usually eyes surroundings and skin under
nose) and shade it delicate with the pencil which is enough light to achieve
the correct shade with maximum pressing (but don’t press maximally!). Try to
make a very light pure-looking layer and than put another. And another. And another. Each layer will smudge the previous one and make the face looking better.
The next layers you can make with harder pencils. My combination of
pencils for the face is usually: 3B, B, 2H. Remember: don’t let the face on
realistic drawing white. It look unnatural and.. ugly. Always try to see the
face shadows and copy it.
Details of the face I did with
the 7B pencil.
My tip is to don’t use another
brand of pencils at the same time. Usually different brands have different scales.
For example this horrible pencil above which is 7B on the KOH-I-NOOR scale is
close to the… 4B.
After shading Paul’s face I
returned to the hairstyle. I turned off the sheet (and the photo on the screen)
to avoid smudging the finished parts. The ‘upside-down drawing’ is a very good exercise
because it helps to get the better point of view for some details. Try to
compare the photograph with the current drawing this way.
At that moment I was so
tired with drawing details so I started to work on the right part of the
background with is easier. I did this the same way as left part.
23.VII.’13 Warsaw, Poland
After some kind of rest
(I mean ‘drawing the background which is easy for me’) I returned to the Paul
and I started working on his coat. I really don’t like drawing complicated
(with lots of shadows) cloths. My way to copy this part of the photo was ‘from general to specific’. Starting with the main shapes I came to the details.
Ok, it’s a coffee time. Remember:
never keep the cup of coffee as close the drawing as me on the photo below. I
had so many situations when food ‘attacked’ my artworks. It’s so hard to see
how some dirty spots ruin the drawing you were working on for so long…
Holly’s hair I did the similar
way as Paul’s. Check out:
I decided to let the thin
hairs to the ending of drawing process because they’re so easy to smugge.
Ok, from that moment I was
working on everything at the same time. I finished Paul’s coat and Holly’s too.
Also before going to sleep I checked how the wood eraser ‘draws’ the rain… Ok,
it’s a bed time to me. I decided to finish the drawing the next day.
24.VII.’13 Warsaw
I started the day with
the improving of clothes and drawing a cat. Yes, there is a cat :)
Time to finishing touches.
With the FABER CASTELL eraser (this one looking like a pencil) I ‘draw’
the rain with the lots of short lines. I also refresh the lightest parts (like shining
places on the hair, coats and car) with the same eraser. I sharped the eraser
many times to achieve this sharp, fine tip.
To achieve the falling rain on
the street I used the regular FACTIS eraser and with the ‘stamping’ motion I was
creating white dots on the pencil-made layer.
In that moment I realised that
the car in the background look so terrible so I decided to… cut it off. Now it
look much more better.
Finished drawing looks like
this:
Some details:
And photos which I did in the dark room:
I found that the photos of the
artwork done in the dark room looks better than the ones done in the sunny
place. Many photos in the article were done in the sunny room (I need perfect
light for drawing) so only now You can see this drawing with all of the
details.
Ok, so one more time, what can you
lern from this ‘Drawing Diary’?
- If you’re tired with drawing details try to take a rest and for shade some easier areas (like the background).
- Always keep your bread eraser in the clean container (you know why :) )
- Correctly choose the photo for drawing because after you may fight with the horrible details (like this car in the background which look so strange on the photo and also on my drawing)
- Layers, different kinds of pencils and delicacy are the key to photorealism.
- It’s better to use for shading pencils of the same brand, because there’s less possibility to be surprised by a shade.
By the way…
Check out the difference
between my drawing done in 2007 and the new one:
Sorry for alle the language
mistakes. My English is still not as good as I want. I hope that writing blog in
English (or better: translating my polish blog into English) will help me to
practice it. Hope that you like the post anyway.
Good luck!
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